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  <title>House of Nettles: #film</title>
  <id>https://nex-3.com/tag/film/</id>
  <link href="https://nex-3.com/tag/film/feed.xml" rel="self"/>
  <link href="https://nex-3.com/tag/film/" />
  <updated>2026-10-19T09:00:03Z</updated>
    <entry>
      <title></title>
      <link href="https://nex-3.com/blog/which-director-maximizes/" rel="alternate"/>
      <id>https://nex-3.com/blog/which-director-maximizes/</id>
      <published>2026-10-19T09:00:03Z</published>
      <updated>2026-10-19T09:00:03Z</updated>
      <author><name>Natalie Weizenbaum</name>
          <uri>https://nex-3.com/</uri></author><category term="this actually occurred to me because I just rewatched Hereditary" label="this actually occurred to me because I just rewatched Hereditary"/><category term="and thought &#34;Ari Aster, what happened to you?&#34;" label="and thought &#34;Ari Aster, what happened to you?&#34;"/><category term="but Midsommar is also good so I don&#39;t think he actually scores that high" label="but Midsommar is also good so I don&#39;t think he actually scores that high"/><category term="film" label="film"/><content type="html">&lt;p&gt;Here&#39;s a fun game to play: which director maximizes the ratio of &amp;quot;quality of feature film directorial debut&amp;quot; to &amp;quot;quality of the rest of their feature film oeuvre&amp;quot;?&lt;/p&gt;
&lt;p&gt;I think Darren Aronofsky is the one to beat here. &lt;em&gt;Pi&lt;/em&gt; is quite good; it&#39;s got just enough science fiction to feel exciting and superreal, but it&#39;s otherwise quite restrained. His work as a whole&lt;sup class=&#34;footnote-ref&#34;&gt;&lt;a href=&#34;https://nex-3.com/blog/which-director-maximizes/#fn1&#34; id=&#34;fnref1&#34;&gt;[1]&lt;/a&gt;&lt;/sup&gt; is just the opposite: unsubtle and excessive, even masturbatory, lunging at deep questions but lacking anywhere near the kind of emotional or artistic maturity to actually address them.&lt;/p&gt;
&lt;p&gt;But Aronofsky can&#39;t be the only one who fell off a cliff after a great debut. Who else is in the running here?&lt;/p&gt;
&lt;hr class=&#34;footnotes-sep&#34;&gt;
&lt;section class=&#34;footnotes&#34;&gt;
&lt;ol class=&#34;footnotes-list&#34;&gt;
&lt;li id=&#34;fn1&#34; class=&#34;footnote-item&#34;&gt;&lt;p&gt;It&#39;s not all awful. &lt;em&gt;Black Swan&lt;/em&gt; is entirely fine. But then &lt;em&gt;mother!&lt;/em&gt; is a slap in the face to women and film as a medium, so it kind of balances out. &lt;a href=&#34;https://nex-3.com/blog/which-director-maximizes/#fnref1&#34; class=&#34;footnote-backref&#34;&gt;↩︎&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;
</content>
    </entry>
  
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