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  <title>House of Nettles: #hoodwinked</title>
  <id>https://nex-3.com/tag/hoodwinked/</id>
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  <link href="https://nex-3.com/tag/hoodwinked/" />
  <updated>2026-09-04T09:46:26Z</updated>
    <entry>
      <title>Hoodwinked! (2005) - ★★★½</title>
      <link href="https://letterboxd.com/nex3/film/hoodwinked/" rel="alternate"/>
      <id>https://letterboxd.com/nex3/film/hoodwinked/</id>
      <published>2026-09-04T09:46:26Z</published>
      <updated>2026-09-04T09:46:26Z</updated>
      <author><name>Natalie Weizenbaum</name><uri>https://letterboxd.com/nex3/</uri></author><category term="Andy Dick really does a good job of playing shitty little villains" label="Andy Dick really does a good job of playing shitty little villains"/><category term="unfortunately this seems to be because he&#39;s a shitty little villain irl" label="unfortunately this seems to be because he&#39;s a shitty little villain irl"/><category term="nat reviews" label="nat reviews"/><category term="hoodwinked" label="hoodwinked"/><category term="repost" label="repost" /><content type="html">&lt;p&gt;
  Last night, I went to the theater and saw a preview for the latest
  Illumination film. It looked just like every other Illumination film, which
  all look just like every DreamWorks film, which of course all look just
  slightly worse than every Disney/Pixar film. There are a lot of reviews here
  talking about how bad Hoodwinked! looks, but you know what? It doesn&#39;t look
  like that. Instead, it has a strong flavor of the sorts of videos I was
  seeing in the Linux community around this time being touted as &#34;made
  entirely in open-source software&#34;.
&lt;/p&gt;
&lt;p&gt;
  This was apparently made in Maya, but the realities of its creation by a
  small team who weren&#39;t digital animation experts is visible in every frame,
  in the same way that the realities of budget and physicality are visible in
  every frame of a traditionally-animated film. It doesn&#39;t look polished in
  the same way that Madagascar (also 2005) does, but it does look distinctive.
  When characters emote here, it doesn&#39;t look like the universal set of
  signifiers (such as the infamous DreamWorks face) that were already
  well-established by this point in time. Even the models are able to be
  distinctive in a way that comes off just as charming as it does strange.
&lt;/p&gt;
&lt;p&gt;
  In contrast with the extreme scrappiness of the animation, the cast is full
  of big names, all of whom do remarkably good work despite largely not being
  voice actors by training. The script is a genuinely fun Rashomon/crime drama
  pastiche, full of clever setups and background gags. There&#39;s something
  optimistic about this, a vision of an alternate universe in which messy
  little films are allowed to exist and attract real talent, and I love it a
  little bit for that.
&lt;/p&gt;

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    </entry>
  
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